ABOUT:

Cho & Urano is an architecture firm in Salt Lake City, Utah providing a full scope of services on projects of various types and sizes, and engaging in architectural research through experiments and theoretical projects.

We started in 2020 after winning an international competition with our project House for Our Mothers. Prior to that we worked in offices in Los Angeles, Beijing, Seoul, San Francisco, and New York.

We approach each project as a continuing investigation into relationships between architecture, structure, and landscape, using sketches, models, and collected images.

Our research has touched on a variety of subjects, including houses, housing, urban design, and infrastructure. It has been exhibited in Seoul, Los Angeles, and New York, as well as at the International Architecture Biennale in Rotterdam, and has been published internationally in A+U, Shinkenchiku, and others.

BIO:

HANSONG CHO, AIA

hansong@chourano.com
Hansong Cho received a Bachelor of Architecture from the University of Seoul and a Master of Architecture from Columbia University’s Graduate School of Architecture, Planning, and Preservation. She has managed numerous residential and cultural projects in New York for the offices of Kyle May, Toshihiro Oki, and Julian von der Schulenburg. Her personal work has been exhibited at the International Architecture Biennale in Rotterdam, the Hunter East Harlem Gallery in New York, and was featured in a retrospective exhibition of Columbia University’s best housing projects produced over a 40-year period. She has served on design juries at RISD, UCLA, USC, and Texas Tech, and is an adjunct instructor at the University of Utah School of Architecture. Hansong is a licensed architect in the State of Utah.

SASHA URANO

sasha@chourano.com
Sasha Urano grew up in Honolulu and Salt Lake City. He holds a BA in Architectural Studies from UCLA, where he graduated with distinction, and a Master of Architecture from Princeton University. He has worked in a number of offices in the U.S. and Asia including Jones Partners Architecture, MAD, Mass Studies, and IDEO. Prior to co-founding Cho & Urano he spent four years as a project architect at Levenbetts in New York where he managed, among other things, a winning competition proposal for a public sculpture in Lower Manhattan and the renovation of a public library in Brooklyn. He has served on design juries at UCLA, USC, and Texas Tech, and is an adjunct instructor at the University of Utah School of Architecture.

NEWS:

  • Center for Bees featured in the Salt Lake Tribune, May 2023
  • Cho & Urano Receive Honorable Mention in Namdo Righteous Army History Museum Competition, 2022
  • House with a Corner Eave Wins Runner-Up Prize in Empowered Living Design Competition, 2021
  • Three Wall House and House with a Corner Eave Exhibited at AIA Utah Empowered Living Design Awards Ceremony, 2021
  • Salt Lake City Office Opened, June 2021
  • House for Our Mothers Published in A+U No. 592
  • House for Our Mothers Published in Shinkenchiku 2020:01
  • House for Our Mothers Awarded First Prize in Shinkenchiku Residential Design Competition, 2020





HOUSE FOR OUR MOTHERS-IN-LAW





Principal Use: Residence
Project Site: Salt Lake City, Utah
Total Floor Area: 000 sq ft.
Design Period: 2021.01
Host: Salt Lake City, the American Institute of Architects Utah Chapter, and the Community Development Corporation of Utah
This housing proposal takes its name from the mother-in-law unit, also known as an accessory dwelling unit or ADU. But while it is neither a house in the traditional sense, nor is it intended for mothers-in-law, it seeks to address the same concerns that have emerged in Salt Lake City’s recent ADU craze, namely the need to create livable residential communities within an existing urban fabric that are both architecturally inventive and appropriate to their context.

Recent housing projects in Salt Lake City lack architectural integrity, appearing as hastily executed products driven more by business opportunity than by creative vision. While necessary, their very inadequacy signals an urgent need for architects to reflect on what constitutes an appropriate and culturally sustainable approach to housing design. We believe that such an approach would be one that prioritizes variation of form and experience within a consistent, familiar architectural language.

The strategy here is based on a kind of geometric game beginning with the slicing of a square into eight uniquely sized pie pieces. When all formal operations are complete, the result is a collection of gable roofs that differ slightly in size and shape, but that can be recombined in series to form a continuous building envelope.

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